● Sound designer and re-recording mixer · Modena, Italy
Your film's sound, from set to final mix.
Production sound, sound design, Foley and mixing for documentaries, fiction and animation. One person for all your audio, in a Dolby Atmos certified studio in the heart of Emilia-Romagna, Italy.
Services
Two ways to work together
Animation
Sound design and mixing
Animated series, shorts and documentaries, where every sound starts from nothing: monsters, weapons, flying motorbikes, worlds that don't exist. Sound design, Foley and mixing through to broadcast delivery.
For example: Agente Speciale Legs Weaver (Rai Kids), Chi si ferma è perduto (Sky Arte), Partiti! (Sky TG24)
Documentaries and corporate video
From set to mix
I record production sound with post already in mind, then edit the dialogue, build the sound design and mix. One contact and one quote, with no hand-offs between different suppliers.
For example: UNHCR, Avio Aero, Ferrari Unpacked, documentaries for Sky Original and Sky Arte
Why a professional
Recording is easy. Sounding right everywhere isn't.
Today a cheap microphone and a few AI-based plugins let anyone clean up a voice and publish a video. It works, as long as you only listen on your own phone.
Then the same content plays through phone speakers, earbuds and soundbars, and each device changes it: dialogue gets lost under the music, the low end vanishes or booms, the level jumps from scene to scene. A good mix stays clear on all of them because it is built for each of these listening conditions and checked in a calibrated room, where you hear what is really there. And the further the content travels, the more rules it has to meet.
Phones · earbuds · laptops
Web and social
Dialogue that stays clear on a phone speaker, levels that sit right with platform normalisation, no clean-up artefacts.
−23 LUFS · EBU R128
Television
Loudness and peaks to the broadcaster's specs. Miss them and the master comes back.
Calibrated room · 5.1 · Dolby Atmos
Cinema
Full dynamic range, a multichannel mix on calibrated monitoring, stems and an international version for distribution.
I use AI-based tools every day too, for dialogue restoration and clean-up. They are tools: the difference is the ear and experience of the person using them.
Work
Four stories from my work
Case study
The Finding
An AI-generated short with three awards and finals in New York, London and Tokyo: from a stereo MP3 to a Dolby Atmos mix.
Case study
Agente Speciale Legs Weaver
Monsters, weapons and flying motorbikes built from scratch for Bonelli's animated series on Rai Kids.
Case study
Art Raiders
Interviews, reconstructions and noir animation held together in one mix for Sky Original.
Case study
Casa Leopardi Museum
Sound design, mixing and a 4.1 quadraphonic system for an immersive museum room.
Who I work with
Independent production companies · Directors · Animation studios · Agencies · Museums and exhibition designers
I mixed the Italian version of Vikings, The Handmaid's Tale, Good Girls, Upload and other international series for streaming platforms.
Next project
Starting a project?
Tell me the format, shooting dates and delivery date: I'll reply within 24 hours.